ROSE
SHOW & POPPY SHOW
by Don Moore
(This
article was published in The Carnival Pump, Vol.
XXI, No. 1, March, 1990.)
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Sherman Hand
once said that if there was ever to be a bridge between Carnival and
Art glass, surely the Rose Show and Poppy Show patterns would lead
the parade. I agree. There just aren’t enough adjectives to describe
the elegance of these pieces.
It’s a shame
we don’t know more about the background of these two patterns. They
have been attributed to Northwood, but no proof positive has ever
been established. The non-fluted, scalloped edge, the indented
flowers, and the reverse patterns are not typical of Northwood. To
my knowledge a signed piece has never been found. The one piece of
circumstantial evidence that does point very convincingly to
Northwood is the aqua opal and pastel colors in which these patterns
were produced. Still further evidence, it should be mentioned is the
fact they were not made in red or peach opal, two colors not
associated with Northwood.
 
Left: Vaseline Rose Show Plate
(Photo #1)
Right: Iridized Custard Rose Show (Photo #2)
I discussed
these patterns with the late Bill Heacock on several occasions. He
had explored the possibility that perhaps some other company owned
the molds and Northwood pressed the glass on a custom basis, much
like the more recent relationship between L. G. Wright and
Westmoreland. At one time Bill felt that perhaps the Jefferson Glass
Company may have played a role in this mystery. On the basis of what
we have to work with to date, Northwood seems to be the most logical
choice as to the maker of these exceptional patterns, but the proof
needed to nail it down is still missing. The Rose Show Variant is a
separate story and I have not attempted to cover this Variant
pattern in this article.
One of the
favorite topics for discussion among collectors is which of these
two patterns they prefer. My experience shows it a close call with
perhaps a slight edge in favor of Poppy Show. The Rose Shows are a
tad more available and will sell for a touch less than the Poppy
Show in most cases. The Rose Show is found in a wider range of
colors than is the Poppy Show.
 
Left: Marigold Poppy Show Plate (Photo
#3)
Right: Green Poppy Show Bowl (Photo #4)
These two
patterns were made only in bowls and plates. There was only the one
mold in each pattern, as the bowl and plate were simply shaped
differently after coming from the same mold. There is no variation
in the shape of the bowls in either pattern. They are all eight
ruffle. Ice Cream shape bowls have been reported, but the ones I
have seen are actually deep plates. I should point out that I do not
consider the so-called Poppy Show vase as the same pattern and we
know the vase was made by Imperial.
It is an
interesting twist that the Rose Show was made in some volume in an
aqua opal bowl. While a plate or two has been reported, I have not
been able to confirm that it actually exists. On the other hand,
three plates are known in aqua opal in the Poppy Show, but no bowls
have ever been found.
 
Left: Aqua Opal Rose Show Bowl (Photo #5)
Right: Ice Green Opal Rose Show Bowl (Photo #6)
It should
also be pointed out that some confusion exists as to ice green opal
and lime green opal. For some reason we refer to the Rose Show bowl
in this color as ice green opal, but the plate in the same color is
called lime green opal. I have listed them that way.
There is also
some confusion between ice green and vaseline. The two colors seem
to shade into each other on occasion and how we label them is
largely a matter of personal choice. I call the Rose Show plate in
Photo 1 vaseline. Some might call it ice green, but there is too
much yellow in it for me to call it anything other than vaseline.
 
Left: Marigold Poppy Show Bowl (Photo #7)
Right: Green Poppy Show Plate (Photo #8)
As I’ve
mentioned before, these articles are prepared well in advance of
publication, sometimes as much as two years or more. This article,
for example, is being written in October of 1988. Prices are so
volatile that I’ve often looked pretty stupid when I’ve priced
pieces without also dating them. In any event, here are a few
representative prices as of this date based on auctions and also
private sales:
Aqua opal Poppy Show plate - $10,100
Iridized custard Rose Show plate - $4,500
Lime green opal Rose Show plate - $4,500
Green Poppy Show plate - $2,900
Ice green opal Rose Show bowl - $2,800
Ice blue Poppy Show bowl - $1,600
Aqua opal Rose Show bowl - $1,150
Green Rose Show bowl - $1,050
Blue Poppy Show bowl - $675
Marigold Poppy Show plate - $600
 
Left: Lime Green Opal Rose Show Plate (Photo #9)
Right: Amethyst Poppy Show Bowl
(Photo #10)
While these
prices are high, I predict they will be still higher by the time
this issue of The Pump comes out. And in my opinion, if there are
any patterns in the entire Carnival spectrum where this would seem
to be more than justified, it has to be the Rose Show and Poppy Show
pieces.
Here is a
color chart that I hope is fairly accurate...Don
 
Left: Green Rose Show Plate (Photo #11)
Right: Marigold Rose Show Bowl (Photo #12)
| Color |
Rose
Show |
Poppy
Show |
| |
|
Bowls |
Plates |
Bowls |
Plates |
| Purple/Amethyst |
|
x |
x |
x |
x |
| Marigold |
|
x |
x |
x |
x |
| Blue |
|
x |
x |
x |
x |
| Ice Blue |
|
x |
x |
x |
x |
| White |
|
x |
x |
x |
x |
| Ice Green |
|
x |
x |
x |
x |
| Green |
|
x |
x |
x |
x |
| Aqua Opal |
|
x |
? |
x |
x |
| Ice Green Opal |
|
x |
|
|
|
| Aqua |
|
x |
|
|
|
| Amber |
|
x |
|
|
|
| Lime Green Opal |
|
|
x |
|
|
| Iridized Custard |
|
x |
x |
|
|
| Vaseline |
|
|
x |
|
|
| Clambroth |
|
|
|
x |
|
|